“Duncan, Oklahoma”
2020-08-29
Written 1 October 2018 in Payne County, Oklahoma.
Brian Fuchs, “Duncan, Oklahoma” from Okie Dokie (Scissortail Press, 2019)
Posted 29 August 2020
“Pieces of Dissected Butterflies”
2019-09-12
Pieces of Dissected Butterflies
I left Tulsa when my friends had died
and we were all set adrift, angry and lost,
wondering if staying meant more of us would die.
I tried to go to Dallas, to a life I wanted.
They boys swarm thickly there,
and I still wonder if my days would have been
spent in the beds of strangers if I’d gone there.
I’ve always longed for the beds of strangers,
to feel taken for granted and awkward.
In moving, I detoured, finding myself in Anchorage,
near the place where my dad spent his youth,
carried on winds I rode for too long, or just long enough.
I was not qualified for life in Alaska,
not qualified for the men who had gone there.
But I was determined to find myself,
or to find Dad in the places where his friends still lived.
His youth was left in an Alaska that no longer exists,
so my mind found new reasons to keep me there.
I found the spaces I understood,
the pockets of the city that seemed familiar,
bookstores filled with other refugees,
of lives that had started to drift.
My mind invented the things I didn’t know
and the people around me became gods.
I didn’t question that, and I formed a religion.
Their lives were spent being perfect
in ways I could never spend my own life.
They are still gods; I pray to them in darkness,
my soul crying out to be acknowledged.
On cold mornings, I liked to price books,
scanning their barcodes and attaching a sticker.
I would think about my friends,
wonder about the shapes of their bodies,
and worry that they could hear my thoughts.
I’d worry that I was saying the thoughts aloud,
and I’d wait for Kevin to go upstairs to inject his insulin
so I could stop thinking about his waist.
I’m still thinking about his waist.
The decade I’ve had to reflect has made me more curious
and sometimes I worry that he can still hear my thoughts.
I have been dissecting butterflies,
stained glass wings pulled apart
by unwieldy spinning steel fingers
as I think about beauty and conformity,
praying to my gods, mindlessly offering
the insects as a tribute.
I didn’t intend this massacre
and in the lawn lie the tiny lifeless parts.
In the hot sun of the places of my youth,
I don’t have new shapes to fill my mind,
new boys to think about.
I dwell on the boys of my past.
I’m reaching back, feeling myself grasping
for people I can’t always recognize,
the names apparitions in my mind.
Some of the gods’ faces have merged & morphed.
I’m taking the ones I wanted the most,
or the ones I wanted to be the most,
and placing their pieces where I can sort them
and try to hold onto them in my mind.
I’m still thinking about waists and hips and shoulders,
still wondering about the firmness of skin.
They haven’t seen me wondering,
their lives have pulled them toward much happier places,
some growing beautifully in Alaska,
others found scattered by the winds
that had first deposited them near me.
The butterflies are whispering secrets,
understandably warning each other about me.
In new cities and states, in their new lives,
they think about the times we spent together
and I go on thinking about their bodies.
Written 12 September 2019 in Payne County, Oklahoma.
Brian Fuchs, “Pieces of Dissected Butterflies” from Okie Dokie (Scissortail Press, 2019)
“Seahorses”
2009-07-01
Seahorses
We struggle for life, gasp for water
and we die, wriggling and contorting into position.
Our dried carcasses serve as amusement.
Fifty years we’ve been on display,
dust gathering in our rigid and bony structures,
souvenirs for those whose lives were more exciting.
They pull us out to reminisce about their wild youth,
our magic now stripped by time,
and they talk to each other about us and how they miss us.
Some of them forget about us,
about how we thrived in the waters before being rescued,
collected as memorials.
They don’t know about the vibrant reefs like we do,
about the others who didn’t make it or we carried back
to other grey places where they too would be forgotten.
Many of us are labeled for easy identification,
classified and sorted so onlookers can gaze at our husks
in wonderment or disgust… or a bit of both.
Our tiny bodies have become too numerous,
too many have been broken or discarded,
but most of us will fade into the dark obscurity, lost.
The new fashion has been to provide a tank,
to adopt a bit of our habitat and collect several specimens,
lives lived with names and memorialized
as members of families, temporary and disposable.
We exist as novelty, and still a part of their youth,
a part of that colorful past they will talk about one day,
sharing the photos with their children and grandchildren.
They’ll talk about us, about how much they love us,
pulling us from the drawers and boxes to prove themselves,
they’ll show videos they took of the tanks filled with water,
convinced that they are showing great love for us.
But when they are no longer beings asked to show off
their specimens, their carefully curated collections,
they’ll put us away again and go back to their real lives.
We will keep wishing that our dried bodies would stop
finding their way into souvenir shops of those who
do not want to dip into the water and experience our lives.
We don’t want to live in tanks either, playthings of people
who do not understand that our beauty has not been for them,
that our magic was meant for ourselves.
The sun is coming up on the horizon,
Christopher Street is quieter than it used to be,
and I wonder if a generation is coming
who will realize the world that was fought for,
and I wonder if they will long for the days
when they were precious trinkets of other people’s youth.
Written 1 July 2009 in Anchorage, Alaska & 5 September 2019 in Payne County, Oklahoma.
Brian Fuchs, “Seahorses” from Okie Dokie (Scissortail Press, 2019)
Of Unicorns & Men
2006-10-29
Great Expectations:
I had been looking forward to dinner with my Tulsa friends since I made plans to be in Oklahoma. But when it came time for it to happen, there was nobody around to eat with. I am excluding Jess & Justin, who I love, but talk to fairly regularly. I couldn’t wait to see Meghan, Emily, Jeff, Jill, Molly, Marla… someone. But none responded tothe invite.
I had a great dinner with Justin & Jess. We went briefly to Target, where I got a shirt to wear so I didn’t have to drive home from the club smelling like an ashtray. Then we decided to eat at On The Border. I love that place and was not disappointed in last night’s fare. And I ordered my Sprite, no ice, with limes. Limes, being not expensive here, are generously given. I got an entire glass full. I love it.
I wanted to spend more time with Justin, but he had to wake early, so he had to go. I made plans to spend more time on Tuesday. I can’t wait to see him. He is so important to me. The three of us went to Barnes & Noble, where I had hoped to find a magazine. I did not. I did, however, get to see Bettina, Ray, Jill, & Matt. I really do miss that place, but I am glad I am making Borders my home now.
Of Unicorns & Men:
Jess & I went to The Majestic for some dancing fun. It was just as I remembered it, a loud, dark, sweaty place where shirts don’t stay on for long. Everyone was gyrating and having a great time. It was the Halloween celebration and costumes were out in full force. Many an angel graced the club — one in particular repeatedly poked his sharp wings into my back. I liked it more than I should.
Of course, all of these costumes led to a contest, hosted by a unicorn. The costumes were sad. The gays should be able to do better, but the evening was pretty fun. I love the darker music of Halloween clubbing. Jess remarked that it was a good thing I changed out of my “Unicorn Rodeo” shirt before getting there. I was thinking I wish I hadn’t. That attention would have been okay.
I love dancing and really need to go more often. Anchorage needs a good gay club.
The rest of this week should prove fun. I am very excited that I got to go to Tulsa. I really miss Tulsa. It still feels like home to me. I could easily move back today and not miss a beat. But now Anchorage is also feeling like home and would surely miss it just as much… or at least the people.
Images: Peter Stanick, art of woman; unknown cartoon illustration
Featured Image Art: AI image (created using Wonder AI)
“Hymn III : Birds & Vapor”
2001-11-02
Hymn III: Birds & Vapor
Before knowledge, peace existed.
Innocent children don’t long for the touch of others.
I’m reflecting on bird calls,
sorting out in my mind the ones that seem familiar
from the ones that are new.
Except for the mockingbirds —
their song has changed as much as I have.
I can barely tell the difference between
childish pursuits and adult desires.
Except for skin.
I find myself a poor litmus test of what I want,
what I remember wanting.
Whispers in my ear from the past — or is it the future?
I’m forgetting things I thought were important.
I don’t remember the smell of skin pressed against
my face as I sleep.
I’m trying to remember how close I can get to the sun
without tumbling to the ground.
Have I reached that limit?
The men are turning to vapor, mists deposited in a wizard’s pensieve
filled with what I choose to remember as unbridled passion.
I’m searching through windows for faces,
for quiet morning sun spilling in through panes,
spotlighting the drifts of dust as they dance
like a great flock of tiny birds.
It feels like he’s still standing there, if he was ever standing there,
eating cherries on the front porch,
spitting the pits out into the garden.
I am thinking about fruity cereal.
I am thinking about the taste of cherries lingering in his mouth and the taste of mulberries lingering on mine.
I am thinking about birds and music and sex and dust.
I am thinking about the faces, the many overlooked faces.
I am thinking about vaporizing.
Softly and tenderly Jesus is calling,
calling for you and for me;
see, on the portals he’s waiting and watching,
watching for you and for me.
Written 2 November 2001 in Tulsa, Oklahoma.
Brian Fuchs, “Hymn III: Birds & Vapor” from Okie Dokie (Scissortail Press, 2019)
Published in Social Distances (Scissortail Press, 2020)
“Hymn II : Reading Tolstoy Naked”
2001-10-29
Hymn II: Reading Tolstoy Naked
My reality merges with memories, with desires,
is there a reality? Have these lives been mine?
Events appear in my mind, translucent and ethereal.
A lanky man in the doorway, light spilling
around his silhouette, casting him as a sort of deity,
a cigarette hanging from his lips
like he’s come from a previous century.
A burly man, his chest a thicket
of soft hair for fingers to explore,
reading Tolstoy in a dimly-lit living room, still naked.
The lamplight shines on his skin, casting strange shadows.
Is he really there?
I’m searching through faces,
longing for the smell of cigarette
smoke rubbed on my back as I’m
pulled toward a mouth still tasting of tobacco.
Or maybe I’ll find myself coyly asking about Russian literature,
massaging muscular shoulders, satisfyingly corporeal. I’m distracting him and pretending not to be distracted by him.
I’ll kiss him until everything is wet and beautiful.
Imaginary friends rarely press their lips back,
and never with such force.
I’m searching through faces,
watching men sleep for hours.
Eyelids dance as they dream and I wonder
about the wide-eyed boy, belly full of mulberries,
a face on fire from the attention of adults, strangers.
He didn’t know about men and the uncontrollable smiles
of the attention of adults, strangers. I miss him.
The nights are filled with breathing and rustling, peaceful.
The mornings are filled with coffee and cigarettes
or the pungent sweetness of a joint
which I pretend to enjoy because he does.
Weekends are a tangle of arms and legs, old movies,
sweaty and lazy afternoons.
It is well
It is well with my soul
I stay, huddled on beds or floors.
I don’t tell stories about playing in the woods,
or about finding an armadillo skeleton,
or about my preschool teacher.
I’m searching through faces
for the man who wants to know.
Written 29 October 2001 in Tulsa, Oklahoma.
Brian Fuchs, “Hymn II: Reading Tolstoy Naked” from Okie Dokie (Scissortail Press, 2019)
“Hymn I : Mulberries”
2000-12-28
Hymn I: Mulberries
I didn’t know then what I didn’t know,
what I wanted to know.
Desire was reserved for cartoons on Saturday morning
and drinking our bowls of fruity cereal flavored milk.
My bowl would be abandoned next to those of
brothers, and we would go outside for the day,
exploring the spaces already familiar.
We would eat mulberries until we felt sick,
or we would run down to the
wooded area where ours met the adjacent street.
My days were spent being alone in groups,
keeping to myself and drifting off in to the clouds,
thinking about how beautiful everything is.
A smell wakes me from the foggy daydreams
of childhood. The ends are pulling at me,
I’m remembering experiences I haven’t had.
Leather and old cologne… and sweat.
Absence and anticipation compete for the space,
waiting is agony when the body has been
unlocked, when the ignorance melts away.
I’m searching through faces,
looking for cowboy boots (I think)
or the smell of fruity cereal and milk.
I’m waiting to feel hands on my skin,
imagining them rough and gritty, remembering
a feeling I’m still anticipating. I know these things now,
I feel them in my heart and in my groin.
Amazing grace
How sweet the sound
that saved a wretch like me
I was once lost
but now I’m found
Was blind
but now I see
I want to conceal the existence of my youth,
but I want to share stories about morning cartoons
on exhausted weekend mornings when he and I
would rather stay in bed than face the lives that existed
before one another, without one another.
These days before him are long, full of longing.
My skin is eager for the feeling of another’s skin. I’m searching through faces,
forcing myself into crowds,
looking for the boots, cologne, memories, dawn.
I am looking for a man with bad habits,
who I can grow to resent, a person who doesn’t want me.
I can still taste the mulberries
and I can already feel his body.
Written 28 December 2000 in Tulsa, Oklahoma.
Brian Fuchs, “Hymn I: Mulberries” from Okie Dokie (Scissortail Press, 2019)