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Making Circles in Darkness

on the loss of my mother

Sometimes going through the motions
is enough; it’s almost like living.

Sometimes it’s too much effort
to cross the room for heat,
so I watch the snow fall through
the cracked window,
the layers building up
of snow and blankets
as warmth slips out
through the opening.

I’m drunk on my own grief,
and my hand makes lazy circles
in the air to amuse me.
Life doesn’t mean anything;
it never did.

Sometimes there exists in me
a tempest that cannot be contained.
I rebuild and shift things,
furiously dig through the snow
and in the soil,
looking for a place to deposit
the excess energy
and the memories.

Life clings, meaningless
and important.

One day I will forget to feel the pain,
I’ll laugh without stopping myself
and I’ll let the flowers bloom
without shutting myself away
where I cannot see them.

The lazy circles amuse me;
I’m an infant again,
motherless and cold.
Each day feels different,
experienced in ways
I always feared.

I wonder how I’ll remember joy
when it tries to come back in,
and I wonder if I’ll want it
after the years I’ve spent in darkness.

Life clings, heavy
and beautiful.

Notes

Written 7 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “Making Circles in Darkness” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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It’s finally out.  And I can finally get some sleep!  Here are the links to my book on Amazon.  I think it looks so much better in paperback, but there is a Kindle version available.

Amazon Paperback

Amazon Kindle

If you don’t already know what’s up, here’s a little backstory.  I’ve been writing since I was a child.  My first poem that I remember was written in October 1988 when I was 9 years old.  When I was 12, my teacher accused me of plagiarism because she didn’t think a child could write.  I don’t say that to congratulate myself at all.  I’m not even sure if that was worth all the aggravation.  It has been lost to time.  It was titled Paige and it was about the life of a woman who never finds happiness.  But I imagine the actual poem would seem completely juvenile now.

I started writing in earnest in college and since 1997 I have written consistently.  While I veer off into other projects, like short stories or novels, I find poetry that I always return to poetry and enjoy writing it.  Over the years, I’ve developed my own style.  That is a good thing.  The problem is that I also haven’t had serious critique of my work since I graduated from college, so I don’t actually know how my work is seen by others.  I’m amazed that I’ve managed to spend the better part of 20 years unwilling to share my work for fear of rejection.  And I really should have managed that sooner!

When I lost Mom last year, the first thing I did was crawled into a metaphorical hole for 9 months.  I wanted to disappear because I didn’t understand how one can live without his mama, and I’m not too proud to say it.  It also brought a few things into focus.  One of those things was letting go of the expectations and opinions of others.  Now, I mean of me as a person, not my work.  That is a lesson that has been taught to me my entire life, but sometimes things need to cook for a while.

So, now I’ve got a book.  I worked diligently over the summer to get it done.  My garden is sad and neglected, my roommate is sad and neglected, and my family… well, they are too busy to have noticed, but if they had I imagine they would feel sad and neglected.  For this first collection of poems (because I don’t want it to be the last!), I wanted to focus on a few things: 1. Poems with very specific references to people.  It’s not that I won’t write that way in the future, but I wanted to give people the words I had written for them before getting into other subjects.  2. Epitaphs.  I’ve lost a lot of people and I often have things to say about that.  I’d like to get through a lot of those I’ve had lying around, but there are many more.  3. My very favorite poems I’ve written… that aren’t too scandalous.  I get it, family will buy this first book. They will even hang on for a second, but by the third they won’t be too fussed about it.  So, I have actually created a plan where my third book is where I completely let my hair down.  That does mean I have to do at least 2 more books, but it also sounds like I’m censoring myself.  In a way I am, but I’m not completely either.  I want my prudish great aunt to be able to have something she will never read, but that won’t make her blush too much if she decides to open it up.

Last thing I will say about it, I decided to make notes on each poem.  Rather than include them in the actual printed book, they can be found here… in the writing tab, or at this link.Continue Reading

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Triticum aestivum

for Brent

Soon enough we’ll be old and nostalgic.
You’ll talk about the prices of wheat and corn
like you grew up on a farm
instead of being a spectator at the rodeo.
I won’t understand the language of agriculture,
but I won’t care because you’ll remind me of mom.

Notes

Written 20 September 2019 in Payne County, Oklahoma

Brian Fuchs, “Triticum aestivum” from Okie Dokie (Scissortail Press, 2019)

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The Rain

I’m still waiting outside for rain,
hoping for sudden downpours from cloudless skies.
I’m wondering if she’ll join me when the first drops
start to fall and the birds fall silent.
She’s been delayed, I’ve told myself again,
or the rain hasn’t been enough.
It has never been enough
I’ve summoned more and more rain,
for over a year I’ve coaxed it from the air,
the ground sometimes swelling, saturated and marshy.

Brush Creek has filled to overflowing,
washing out parts of the road and clearing out
the debris of our distractions.
It has not been enough.
The Cimarron & Arkansas Rivers have been flooded,
swallowing homes and memories,
lives lost and inconvenienced.
Still she has not arrived.
I continue my incantations, calling for more clouds,
more rain — great hurricanes that try to find me,
creeping along the coasts, tied to the oceans.
Florida, Georgia, Louisiana, The Bahamas, Puerto Rico,
they may all need to be sacrificed in my efforts,
and it will be worth the loss because I will
no longer feel like I am alone.
I am listening for those first signs, the drips on the tin roof
and I am ready to throw open the windows,
clench my fists, and try to push my dreams into reality.
I know she will join me if I keep trying,
and we will sit together on the covered porch,
resuming what should still be.

Notes

Written 5 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “The Rain” from Okie Dokie (Scissortail Press, 2019)Continue Reading

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Cercis canadensis

for Dad

When we had tried
putting ourselves together again
we’d used the wrong parts,
made effigies of ourselves
with the piles of distorted junk,
left behind scraps of a once-full life.
We went through the motions of people
spoke like them, practicing their accents,
but did not understand our own words.
We got the phrases wrong,
the tones, the memories.
Periodically, we’d erupt into full color
flowers growing from every part
and our days seemed alive with joy.
But we would catch ourselves lost in time,
eyes fixed on a long-abandoned walker,
a long-absent bed,
a long-neglected garden,
at the things we find so important now
and the flowers would fall from our bodies.
I gave up on trying to find the parts
of myself I missed most,
stopped looking for who I had been before. I’ve been more comfortable with discomfort,
waiting for others to finally leave the safety
of their beds, the safety of their tears.
And we’ve started to share ourselves again,
imagining Spring, redbuds flushed fuchsia,
grief removed from our shoulders,
sadness washed from our faces
by the showers of April and storms of May.
We will remember how to be happy
and how to be sad and how to be,
and we’ll see the long-forgotten remnants
and we will understand who we are.

Notes

Written 19 April 2019 in Payne County, Oklahoma. Rewritten 5 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “Cercis canadensis” from Okie Dokie (Scissortail Press, 2019)Continue Reading

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Luctus Herbarium

I’m counting the blooms,
tagging and cataloguing each one,
memorializing the specimens in photos.
I’m waiting for patterns,
counting petals and leaves to make sense of the passing months.
Routines form in my distractions, order.
This must be a sign.
On hot days like this, I sit in the heat,
water hose set to mist.
I watch the tiny drops of water float by,
dancing in the shifting breeze
while I clutch the trigger tightly.
I switch the settings,
long streams shoot into the sky,
pattering like hard rain on the metal roof of the porch.
I pulse the trigger,
tight, loose, tight, loose.
I’m wet from the water dripping down my arm,
and by the drifts of mist.
The hot sun dries my clothes,
nozzle retired to the floor of the porch.
Thoreau wanted to live simply and deliberately,
to test himself against nature,
to love it, to record it, tame it or be tamed by it.
I just want to get through the day,
to bury my head in my collection of information.
I can’t index my life in values and harvests;
my gardens are not for sale,
nor are they planted with very useful.
Maybe they should be.
Maybe they should be.
Maybe…
Soon I’m returning to my work,
counting the dead blooms as I prune
and noting which ones wilted first.
So many flowers remain beautiful without petals;
that seems important enough to note, so I do.
I’m still slightly damp,
enough to forget about Mom’s absence,
but she is even more present
in the sorted flora, the journals of growth,
in the fountains of sun-warmed water.

26 August 2018

Written 26 August 2018 in Payne County, Oklahoma.
Brian Fuchs, “Luctus Herbarium” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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We had a hot week, which is pretty typical.  I wish I’d gotten more accomplished, but everything was feeling difficult.  So many of my days anymore are like that.

It seems like gardening is the way I’m dealing with things.  I’ve mentioned it, but it just keeps coming up.  I’m surprised, but maybe shouldn’t be really.  It was my grandpa’s death that first got me interested in growing plants.  I became briefly obsessed with houseplants.  I was living in an apartment at the time, so I couldn’t go crazy with plants of my own, but that turned into an attempt at a vegetable garden the following Spring and planting some roses for Mom in the summer.  But that was a terrible summer for growing anything and it was really discouraging.  I decided not to try again.  When Dale Combs, the man who I was named after, passed away, I was drawn to go sit and think beneath some beautiful big trees and to spend time in a wooded park.  It felt natural to be surrounded by nature.  Mary Combs passed in 2017, and once again I felt drawn to nature and natural things.  It was Winter, but I wanted to be outside.

If spent my Summer so far wanting to be outside as much as possible.  I have been incredibly worried about what I should be doing, about my health, and about my future.  Some days I feel like I’m going to explode, but being in my yard seems to be helping.  I’ve babied my roses, planned for new beds, created a new bed, and generally enjoyed being in my garden.  I even enjoy it when it’s too hot.  It just feels right, and I guess that’s okay.  I don’t want to spin out of control too much, but I do want to just keep getting things done.  It just feels right.

I’m sadder now than I ever have been, but I’m feeling tired of being tired.  I’m tired of crying and tired of sleeping.  I feel sadder than I ever imagined a person could feel, and I also feel calmer than I would have expected.  I just want to sit quietly in a beautiful garden and not stress out about things.  Of course, I have to create the garden I want, but it just feels right, and I’m going to try to let myself be.

One of the things I’m doing later this year is to get a bunch of people a flowering tree to plant in Mom’s memory.  I got my trees ordered this week, and they will arrive around Thanksgiving.  It’ll be a nice time to plant.  I hope that goes down well for everyone.

I don’t know what will happen next week.  I feel lost today, but I hope each day surprises me by being better than I expected.