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A Boy from Albuquerque

for Kami

Write me letters on that old Olivetti
and we’ll pretend things are the same as the used to be.
I’m listening to those bands again,
Caroline’s Spine and Alice in Chains.
They are pretending too, and I feel young again.
You’ve been in Idaho for too long, or is it Italy?
I can never remember, but I knew it is far from me.
I’m carrying you with me, folded up and tucked away.
So, tell me about your family and about the boys you’ve kissed.
And I’ll send you a sketch of a flower I found growing in my yard.
We’ll feel carefree and lovely,
and for a moment we will be together again.

Written 12 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “A Boy from Albuquerque” from Okie Dokie (Scissortail Press, 2019)

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The Ravens Became Crows

I stood two feet away, a witness to the moment
when Alaska started to fade away,
revealing the familiar loneliness of Iowa.
I stood close enough to touch her,
unable to find my arms, unable to find words.
I looked at the harsh black words,
old marker on a scrap of paper, trash.
MY DAD IS DYING
I stood, paralyzed, my body slipping further away,
unable to clear the tears from her eyes,
unable to pull time back and change these events.
She looked at me, and in her eyes I could see
her snow melting, revealing fields of corn.
I could see her ravens becoming crows,
and we shared a silent moment,
knew everything would change.
I stood still for what must have been days,
and when I finally moved my feet, Lisa was gone.

Notes

Written 7 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “The Ravens Became Crows” from Okie Dokie (Scissortail Press, 2019)

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The Rain

I’m still waiting outside for rain,
hoping for sudden downpours from cloudless skies.
I’m wondering if she’ll join me when the first drops
start to fall and the birds fall silent.
She’s been delayed, I’ve told myself again,
or the rain hasn’t been enough.
It has never been enough
I’ve summoned more and more rain,
for over a year I’ve coaxed it from the air,
the ground sometimes swelling, saturated and marshy.

Brush Creek has filled to overflowing,
washing out parts of the road and clearing out
the debris of our distractions.
It has not been enough.
The Cimarron & Arkansas Rivers have been flooded,
swallowing homes and memories,
lives lost and inconvenienced.
Still she has not arrived.
I continue my incantations, calling for more clouds,
more rain — great hurricanes that try to find me,
creeping along the coasts, tied to the oceans.
Florida, Georgia, Louisiana, The Bahamas, Puerto Rico,
they may all need to be sacrificed in my efforts,
and it will be worth the loss because I will
no longer feel like I am alone.
I am listening for those first signs, the drips on the tin roof
and I am ready to throw open the windows,
clench my fists, and try to push my dreams into reality.
I know she will join me if I keep trying,
and we will sit together on the covered porch,
resuming what should still be.

Notes

Written 5 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “The Rain” from Okie Dokie (Scissortail Press, 2019)Continue Reading

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Cercis canadensis

for Dad

When we had tried
putting ourselves together again
we’d used the wrong parts,
made effigies of ourselves
with the piles of distorted junk,
left behind scraps of a once-full life.
We went through the motions of people
spoke like them, practicing their accents,
but did not understand our own words.
We got the phrases wrong,
the tones, the memories.
Periodically, we’d erupt into full color
flowers growing from every part
and our days seemed alive with joy.
But we would catch ourselves lost in time,
eyes fixed on a long-abandoned walker,
a long-absent bed,
a long-neglected garden,
at the things we find so important now
and the flowers would fall from our bodies.
I gave up on trying to find the parts
of myself I missed most,
stopped looking for who I had been before. I’ve been more comfortable with discomfort,
waiting for others to finally leave the safety
of their beds, the safety of their tears.
And we’ve started to share ourselves again,
imagining Spring, redbuds flushed fuchsia,
grief removed from our shoulders,
sadness washed from our faces
by the showers of April and storms of May.
We will remember how to be happy
and how to be sad and how to be,
and we’ll see the long-forgotten remnants
and we will understand who we are.

Notes

Written 19 April 2019 in Payne County, Oklahoma. Rewritten 5 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “Cercis canadensis” from Okie Dokie (Scissortail Press, 2019)Continue Reading

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Duncan, Oklahoma

His fingers skip over piano keys,
his eyes close to take in the moment
or to imagine me more handsome.
He takes me to a dark restaurant
and I preoccupy my mind with
the notion that he is trying to hide me,
ashamed that he has made such an error.
I cannot enjoy the food or the conversation,
worried about returning to his house,
which he keeps too clean.
Why is it so clean?
Does he see me?
Does he know what I’m thinking?
The music he played seemed sad
when I thought about it later,
sitting in a car still scented with newness.
Am I messing this up? What is this?
The car is too clean and I don’t know
where to put my words.
He’s speaking with an accent of anticipation,
using phrases that clarify his disappointment
to me, even though I am not listening.
His eyes were closed as he played the piano.
Was he thinking about how much he wanted me?
Was he thinking about older men? Younger?
I don’t know how to be what he was expecting; I try.
I talk about my youth, my immaturity,
the words exposing the distance between us.
He’s thirty-six years old, twice my age.
We return to the sterile house, the gaps widening.
I stay, unclear why I have come here.
The night is uncomfortably quiet and cold,
I sleep in his house, in a guest room.
I drive three hours back to my own home in the morning,
back to a house that is never clean,
back to a life that isn’t filled with unspoken longing.
For weeks, the emails stop. I was not enough,
I didn’t know how to be enough,
did not understand what enough meant.
I regret being me when I arrived at his house,
convince myself that I have orchestrated a deceit.
He plays his piano at home alone, he closes his eyes
and thinks only about the music.

Notes

Written 1 October 2018 in Payne County, Oklahoma.

Brian Fuchs, “Duncan, Oklahoma” from Okie Dokie (Scissortail Press, 2019)

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Dempsey, Oklahoma

Squash vines coiled
in and around, spilling &
tumbling over each other,
exploding with fruit,
filled with more water
than this place had seen
since May.
Those vines grew wild
alongside bindweed
in the garden that once
fed a whole family,
the jars lined up in the
dugout cellar —
apricots, potatoes, beans.
We used to play in those
places as they turned to ruins,
our historic homeland.
We’d take watermelon rind,
or cantaloupe halves out
for the overheated cows,
leave the fruit near the salt lick.
Our socks would be filled
with sand burs,
our teeth with dust,
and often my mouth would
still show the traces of chocolate
from a clandestine visit
at my grandma’s parents’ house.
The cows were traded in,
eventually the whole lot
retired to the comfort of town,
to the neighbors
with their cat stories,
and a garden bursting
with cucumbers,
a mowed lawn,
tiger-lilies.
I’d miss Dempsey then,
resigned to sit in hushed rooms,
watching my grandma’s mom
eat cornbread & milk.
She’d tell me stories,
talk about her daddy,
but I always wondered
about the cows
and about the apricot trees.

Written 29 January 2000 in Tulsa, Oklahoma & 23 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “Dempsey, Oklahoma” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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David Eugene, look at me when I’m thinking about you!

I’m a disciple, a child of your narcissism.
an inadequate acolyte of your worst impulses,
treasonous and suspicious, even in my reverence.
Love is wrapped in sarcasm, in mocking and making-fun.
I pray these are truths, and that you are as transparent as you seem.

I only see the Davids for who they are,
blind to who they want me to see, who they wish they were.
I only see you for who you are,
but I feel the person you want me to be
growing cynically inside.
Oh David, do you not recognize the idolatry in my loyalty?
Does my face not give away my desire to be looking at my own face
when I am looking at you?

The tears stay close, pooling in eyelids, fighting their impulse
to race down my cheek toward knowing I am fully myself,
and not who I am trying to be.
I am trying to be bold in the ways you expect,
no longer cowering in the corners where you found me.
I remember the safety of home, and the emptiness.
I felt safe in my denial, but I am liberated by your sacred teachings.

I grovel, prostrate myself before you,
foolishly and joyously feeding your need for attention.
David, you have shown me that you are more important than I am.
You are more than I am. You are existence.
I meant to steal the hearts of those around you,
meant to show them how much I had learned at your feet.
They exist, you exist, and I have revealed myself to be fragments.
You have reassured me, patted my head like a Lhasa apso,
my head cocked to one side as I attentively await praise.

Oh David, I have not been enough!
The fragments have betrayed me and revealed that I am not whole.
I’ve tried holding them together with glues and tape,
but the picture never seems real;
the other congregants have moved on, my failings insurmountable.
They have found me lacking and are uncomfortable in my presence.
Selfishness is a difficult lesson to learn; I am trying.

I’m still dwelling on my heartache, trying to release it,
unchaining my tongue and allowing bravery to escape,
to become the person I see in you, David,
or to at least to become someone whole, beautiful and brazen,
someone rewarded with love, sex, warmth.
I humbly bow, giving thanks for even a chance
to be blessed by your acceptance.

Notes

Brian Fuchs, “David Eugene, look at me when I’m thinking about you” from Okie Dokie (Scissortail Press, 2019)

Written 17 March 2008 in Anchorage, Alaska & 7 September 2018 in Payne County, Oklahoma.Continue Reading