Hymn I: Mulberries

I didn’t know then what I didn’t know,
what I wanted to know.
Desire was reserved for cartoons on Saturday morning
and drinking our bowls of fruity cereal flavored milk.
My bowl would be abandoned next to those of
brothers, and we would go outside for the day,
exploring the spaces already familiar.
We would eat mulberries until we felt sick,
or we would run down to the
wooded area where ours met the adjacent street.
My days were spent being alone in groups,
keeping to myself and drifting off in to the clouds,
thinking about how beautiful everything is.

A smell wakes me from the foggy daydreams
of childhood. The ends are pulling at me,
I’m remembering experiences I haven’t had.
Leather and old cologne… and sweat.
Absence and anticipation compete for the space,
waiting is agony when the body has been
unlocked, when the ignorance melts away.
I’m searching through faces,
looking for cowboy boots (I think)
or the smell of fruity cereal and milk.
I’m waiting to feel hands on my skin,
imagining them rough and gritty, remembering
a feeling I’m still anticipating. I know these things now,
I feel them in my heart and in my groin.

Amazing grace
How sweet the sound
that saved a wretch like me
I was once lost
but now I’m found
Was blind
but now I see

I want to conceal the existence of my youth,
but I want to share stories about morning cartoons
on exhausted weekend mornings when he and I
would rather stay in bed than face the lives that existed
before one another, without one another.
These days before him are long, full of longing.
My skin is eager for the feeling of another’s skin. I’m searching through faces,
forcing myself into crowds,
looking for the boots, cologne, memories, dawn.
I am looking for a man with bad habits,
who I can grow to resent, a person who doesn’t want me.
I can still taste the mulberries
and I can already feel his body.

Notes

Written 28 December 2000 in Tulsa, Oklahoma.

Brian Fuchs, “Hymn I: Mulberries” from Okie Dokie (Scissortail Press, 2019)

An Exposed Thread

An image of G sticks with me:
lying in the beautiful soft pink,
a thread exposed on her lower lip.
An imperfection.
A delicate mistake,
almost beautiful,
revealing the truth concealed by layers
of concealer and foundation.
Something was odd about her mouth,
it wasn’t right…
she was made of resin or wax,
a replica of the woman I love.
Her vacant expression,
the nonsensical sleeping façade,
glasses on like she’d need them for reading
later when the casket was in the ground
and she had become bored of her situation.
G wound’t have been proud of me,
of how weak I felt in her presence,
of how I couldn’t touch her,
couldn’t speak to her,
couldn’t pretend that she was napping,
especially with the thread exposed,
pulled through, pushed into my heart,
anchoring me to this awareness.
I’m haunted by her waxy face,
the rigid opacity of her wrinkles,
the horror of loss.
An image of G sticks with me:
imperfection,
silence.
That shell won’t leave me,
and I guess I don’t want it to.

Written 26 December 2000 in Oklahoma.

Brian Fuchs, “An Exposed Thread” from Muskox vs. Unicorn (Scissortail Press, 2020) Continue Reading

G

in memory of G, a mystery

Strange woman, you left us
wondering who you were and
why you couldn’t go on.
I waited and waited and still
thought I had more time — these
things don’t happen to me —
the strong always survive —
this should be the fairytale.
It’s not. Your secrets were
your secrets — tiny new pearls
in the oyster of your life.
That mussel was enough for
me. You secrets are now eternal.

Brent and I still made noise
(the irritating chatter you always
hated). We didn’t even try not to,
hoping you’d sit up and tell us
to cut it out. We miss you.

I never found a new gold bug
for you and I am sorry. I’m not
sure I really tried. Probably not.

I do not think I was kind to you,
lovely woman. Reverent, yes.
Respectful, yes. Committed, yes.
But kind…? Dear woman, I loved
you deeply. I hate the days
I put off visiting. I hate that I wasn’t
there at the end for you, though
I know you felt me there —
I pray you were somehow comforted
by that.

When I saw you, you were weak — very weak.
You were artificially alive with tubes and knobs
and gauges and buttons — it wasn’t you in
that shell. I could see you fight; try to get back —
get back to what…? I know you didn’t want this.
Pain…medication…doctors…nurses…anger…tears.

I cried for you — hard. Some of the tears were guilt
(I never did enough). Most was pain — separation.
I never wanted you to go and I almost couldn’t take it.

12.21.2000Continue Reading