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Campsis radicans

That house still haunts me;
the absences I feel are extreme.
Brad has kept the trumpet vines,
electric and intense like himself.
He pulled the irises that were once
lining the paths and taking breath
away from visitors as they passed.
The enormous black-purple blooms,
now towering only in our memory.
He inherited too much and not enough,
spending time and money adjusting,
spreading out and stamping his energy
onto the places that had been our center.
He’s added alcohol to the room where
my grandma’s last moments began,
highlighting the permanence of it all.
Where there was once an annual
display of daisies and cleomes,
a chainlink box sits, overgrown with
those intense trumpet vines.
The garden is all wild and unkempt,
like he’s trying to preserve something
that cannot be contained or suppressed.
Life spills out from our dark spots.
The house was full of undue pressures,
now settled into a gritty beauty.
The roots will continue to grow,
the trumpet vines will spread,
and one day my nephew’s children
will wipe tears from their eyes when
they visit a house that meant so much.
And they’ll talk about the intensity
and how much they’d give to have it back.

Notes

Written 20 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “Campsis radicans” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Stillwater, Oklahoma

4. PROMISES

I’ve seen life’s simplicity and it made me smile.
I’ve watched the horses in their fields on the town’s edge,
visited cattle lounging in shade in July.
I’ve waved at the farmers on their tractors, thanked them.
I’ve laughed at the new goats frolicking and climbing.

I’ve seen your fuchsia redbuds in bloom, buds bursting.
I’ve seen joyful petals pushing out of branches,
the promise of Spring and potential of April.
I’ve chased butterflies, paused to follow scissortails,
I’ve danced with grackles with their long velvet feathers.

I’ve felt the sun on my back, warm and oppressive.
I’ve wondered in late Summer if the heat would leave,
felt the scorched grass and falling leaves of September.
I’ve found joy in the heat, remembering Autumn.
I’ve daydreamed about the promise and chill it brings.

Notes

Written 19 February 2020

Brian Fuchs, “Stillwater, Oklahoma” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Stillwater, Oklahoma

3. THROWING SPHERES: A MIRRORED CLOGYRNACH

My boyhood never depended
on throwing spheres like all men did.
I so often mused
if I had confused
dead with bruised
God forbid

Days in parks,
I’d explore
searching woodland floors
for seed pods and more.
Imagined tree friends, their rough bark
I’d so much missed since our last lark.

“that scattered belt of forest land, about forty miles in width, which stretches across the country from north to south, from the Arkansas to the Red River, separating the upper from the lower prairies, and commonly called the “Cross Timber.” — Washington Irving

Notes

Written 19 February 2020

Brian Fuchs, “Stillwater, Oklahoma” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Stillwater, Oklahoma

2. THE WEATHER

I have stood under skies full of rain.
I have been a scared child, comforted
by the clouds which might burst into storms,
and by hail, the chaos of thunder.
I have seen the bright sun in the sky,
oddly close, maybe more than before,
close enough to reach up, touch its rays
if not for exhaustion from the heat.
Everything start to wilt on those days,
our spirits, slumped lilies still standing,
thinking back on Easter’s soft beauty.

Notes

Written 19 February 2020

Brian Fuchs, “Stillwater, Oklahoma” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Stillwater, Oklahoma

1. HEARTBEAT

“a vast and magnificent landscape. The prairies bordering on the rivers are always varied in this way with woodland, so beautifully interspersed as to appear to have been laid out by the hand of taste… to rival the most ornamented scenery of Europe.” — Washington Irving

I’ve felt your beating heart;
thump thump… thump thump… thump thump…
thump thump… thump thump… thump thump…
Old folks still make weekly
pilgrimages to pray,
to seek God and solace.
Many hours of my youth
I spent rubbing the hands
of my grandma, wrinkled
and loose-skinned like mine now,
while the congregation
sang hymns from “the blue book,”
while old family friends
talked about love, dryly
reciting the red words.
Three times or more a week,
we’d gather to worship.
Thump thump… thump thump… thump thump…
I have felt the comfort
of belonging there, fell
for empty dogma long
before my welcome stopped.

Notes

Written 19 February 2020

Brian Fuchs, “Stillwater, Oklahoma” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Skyline & McElroy

These spaces were once open wide;
we explored the details for hours.
They seem to darken and cower;
now they shrink, wither, and divide.

Free, we stretched our wings fearlessly.
We never thought we’d have bad luck
even after Christine was struck
and Rusty was rushed urgently,

tire and concrete in his face,
to the E.R. for doctors’ care.
We’d still head on bikes anywhere
while those two recovered en brace.

Oh joy! to feel that wind rushing,
to ride down hills foolheartedly,
to find the paths left secretly,
to forget near tragic crushing.

Now, Gayane’s final act is all
the excitement I dare to take.
The shrinking neighborhoods forsake
my inner child — they’ve turned small.

Notes

Written 15 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “Skyline & McElroy” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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My Native Valley

Lacosha! you kept passing by.
We never picked bright yellow
flowers in the fields on Spring mornings,
and we never chased rabbits
through people’s backyards on
Autumn afternoons.
I’m still looking for words,
my voice muffled by fear,
to invite you to my birthday party.

Notes

Written 15 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “My Native Valley” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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New Kids on the Block

If the spaces under the highway
had been a passage to a great
underground city, I’d still be there
living among the mole people,
still listening to your sister’s cassettes.

It was always over as soon as it started,
and I longed for you for years after.
The gas station stopped selling gas;
it’s just as well. I don’t drive that way
anymore and I don’t want the salty chips
we used to get before spending afternoons
listening to music at your house.

You’ve grown too great for me to see
and I’ve started shrinking into the cracks,
barely leaving a mark behind to find.
I’ll see you at the next protest
on the steps of the state capital.
I wonder if I’ll still be visible by then.

Notes

Written 15 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “New Kids on the Block” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Cakewalk

The mint’s taken over
and we just watched it,
eating sandwiches, piled
with fresh tomatoes picked
from the garden.
Love is letting a plant take
over a meticulously tended
bed for a child’s whim.
The tomatoes are gone,
and the mint reminds me
that things used to be
full of everything good.

Notes

Written 15 February 2020

Brian Fuchs, “Cakewalk” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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Legg-Calvé-Perthes Cocoon

I’m more reptilian than Russian.
My parts have grown back,
and I’ve shed myself so many times,
expecting somehow to find smaller
versions of myself.

I haven’t grown smaller.

I test my legs often,
waiting for cracks to form
and for the new leg beneath
to emerge, emaciated and pale,
like it was the last time.

I thought I was a butterfly once,
and I fantasized about emerging
beautiful like the people I’m not.

I haven’t emerged beautiful.

Reinvention is either a myth
or a luxury of youth.
I tried so many times,
but I am more like myself now
than I ever was before.

It’s been thirty-five years
since the casts fixed my form
and my legs were allowed
to regrow.
I’m still waiting for it
to happen again,
knowing it won’t,
wishing it would.

I’m not so filled with new versions
as I was before,
and I’ve given up on beauty.
It was alway a lie anyway.
I long to know where
the beautiful people’s cracks form,
and what they expected to become.

Notes

Written 7 February 2020 in Payne County, Oklahoma.

Brian Fuchs, “Legg-Calvé-Perthes Cocoon” from Scissor-tailed Flycatcher (Scissortail Press, 2020)

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It’s finally out.  And I can finally get some sleep!  Here are the links to my book on Amazon.  I think it looks so much better in paperback, but there is a Kindle version available.

Amazon Paperback

Amazon Kindle

If you don’t already know what’s up, here’s a little backstory.  I’ve been writing since I was a child.  My first poem that I remember was written in October 1988 when I was 9 years old.  When I was 12, my teacher accused me of plagiarism because she didn’t think a child could write.  I don’t say that to congratulate myself at all.  I’m not even sure if that was worth all the aggravation.  It has been lost to time.  It was titled Paige and it was about the life of a woman who never finds happiness.  But I imagine the actual poem would seem completely juvenile now.

I started writing in earnest in college and since 1997 I have written consistently.  While I veer off into other projects, like short stories or novels, I find poetry that I always return to poetry and enjoy writing it.  Over the years, I’ve developed my own style.  That is a good thing.  The problem is that I also haven’t had serious critique of my work since I graduated from college, so I don’t actually know how my work is seen by others.  I’m amazed that I’ve managed to spend the better part of 20 years unwilling to share my work for fear of rejection.  And I really should have managed that sooner!

When I lost Mom last year, the first thing I did was crawled into a metaphorical hole for 9 months.  I wanted to disappear because I didn’t understand how one can live without his mama, and I’m not too proud to say it.  It also brought a few things into focus.  One of those things was letting go of the expectations and opinions of others.  Now, I mean of me as a person, not my work.  That is a lesson that has been taught to me my entire life, but sometimes things need to cook for a while.

So, now I’ve got a book.  I worked diligently over the summer to get it done.  My garden is sad and neglected, my roommate is sad and neglected, and my family… well, they are too busy to have noticed, but if they had I imagine they would feel sad and neglected.  For this first collection of poems (because I don’t want it to be the last!), I wanted to focus on a few things: 1. Poems with very specific references to people.  It’s not that I won’t write that way in the future, but I wanted to give people the words I had written for them before getting into other subjects.  2. Epitaphs.  I’ve lost a lot of people and I often have things to say about that.  I’d like to get through a lot of those I’ve had lying around, but there are many more.  3. My very favorite poems I’ve written… that aren’t too scandalous.  I get it, family will buy this first book. They will even hang on for a second, but by the third they won’t be too fussed about it.  So, I have actually created a plan where my third book is where I completely let my hair down.  That does mean I have to do at least 2 more books, but it also sounds like I’m censoring myself.  In a way I am, but I’m not completely either.  I want my prudish great aunt to be able to have something she will never read, but that won’t make her blush too much if she decides to open it up.

Last thing I will say about it, I decided to make notes on each poem.  Rather than include them in the actual printed book, they can be found here… in the writing tab, or at this link.

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Notes

Written 21 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “1975” from Okie Dokie (Scissortail Press, 2019)

Published in Social Distances (Scissortail Press, 2020)

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Quentin Clingerman Has Died

The winds are picking up
blowing trash into my yard
and announcing a storm that will
fall apart before it arrives.
The worn out flags and crosses
still look as majestic as they did,
but I’m opening by insides
and filling my pages with secrets.
I’m waiting for critiques
by entrenched folks who think
too much about the sex lives
of other people, of my sex life.
I want to reveal myself again,
try to make people see my words
and my techniques and stop worrying
about who I’ve kissed or
who I haven’t, but wanted to.
I want to edit volumes of poetry
about God and America and guns,
poems filled with the lies we tell ourselves
and enjoy them because the author
knew how to write the words beautifully.
I don’t want to read the judgement.
It starts to rain and I’m surprised;
I thought the rain would miss us.

Notes

Written 21 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “Quentin Clingerman Has Died” from Okie Dokie (Scissortail Press, 2019)

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Triticum aestivum

Soon enough we’ll be old and nostalgic.
You’ll talk about the prices of wheat and corn
like you grew up on a farm
instead of being a spectator at the rodeo.
I won’t understand the language of agriculture,
but I won’t care because you’ll remind me of mom.

Notes

Written 20 September 2019 in Payne County, Oklahoma

Brian Fuchs, “Triticum aestivum” from Okie Dokie (Scissortail Press, 2019)

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Gleditsia triacanthos

You were beautiful once, and maybe you still are.
I rarely revisit those moments when we became adults
on Sunday mornings, skipping church for each other.
I don’t think about the length of your neck
and I don’t dwell on the smell of you skin.
I’ve turned you upside down, exposed the roots
and tried to understand how they worked,
rubbing the soil into the grooves of my skin.
I don’t want to return to your kindness or cruelty,
and I don’t want to put you back how I found you;
Your branches are thorny and I’d end up hurt again.
So, I’ll repaint the photos I have of you in new colors
and we can pretend that there were no feelings.
And I’ll send you copies of the new versions
and you can pretend that you don’t remember.

Notes

Written 18 September 2019 in Payne County, Oklahoma.

Brian Fuchs, “Gleditsia triacanthos” from Okie Dokie (Scissortail Press, 2019)